Dho Yee Chung calls attention to a dehumanizing process of Fordism originally raised from the massive automotive plants in the 1930s–1960s. It continuously serves as a backbone of the current platform economy in the digital space. Similar to how Fordism engineered the system of mass production to increase profits and workers’ productivity, the platform economy encodes systematic control over human labor into user experience and interface design. Rather than following traditional information architecture, this work intends to break a standardized order and automation, allowing viewers to disassemble and reassemble the content of the work as a process of unmaking Fordism.
